Jean Rollin’s startling debut feature, 1968’s The Rape of the Vampire (Le Viol du vampire), introduces his unique take on vampirism, establishing the blend of surrealism, eroticism, and horror that would become his trademark.
Jean Rollin’s startling debut feature, 1968’s The Rape of the Vampire (Le Viol du vampire), introduces his unique take on vampirism, establishing the blend of surrealism, eroticism, and horror that would become his trademark.
Jean Rollin’s startling debut feature, 1968’s The Rape of the Vampire (Le Viol du vampire), introduces his unique take on vampirism, establishing the blend of surrealism, eroticism, and horror that would become his trademark.
Jean Rollin’s third feature film, 1971’s The Shiver of the Vampires (Le Frisson des vampires), established themes and visual motifs to which he would return throughout his career, blending horror, eroticism, fairy tale, and surrealism to create his unique cinema of the fantastique.
Jean Rollin’s third feature film, 1971’s The Shiver of the Vampires (Le Frisson des vampires), established themes and visual motifs to which he would return throughout his career, blending horror, eroticism, fairy tale, and surrealism to create his unique cinema of the fantastique.
One of Jean Rollin’s least-seen and most underrated works, The Night of the Hunted (La Nuit des traquées) finds the director moving away from his trademark tales of vampirism to explore a nightmarish, dystopian world.
One of Jean Rollin’s least-seen and most underrated works, The Night of the Hunted (La Nuit des traquées) finds the director moving away from his trademark tales of vampirism to explore a nightmarish, dystopian world.
By day, blind orphans Henriette and Louise seem to be the picture of innocence. But when darkness falls, their sight returns, and they wander the streets of Paris, encountering the city’s strange nocturnal denizens, and leaving a trail of corpses in their quest for fresh blood.
By day, blind orphans Henriette and Louise seem to be the picture of innocence. But when darkness falls, their sight returns, and they wander the streets of Paris, encountering the city’s strange nocturnal denizens, and leaving a trail of corpses in their quest for fresh blood.
When a honeymooning couple visit the crumbling estate of the bride’s ancestors, they discover her closet is filled with more than skeletons: a sinister lesbian vampire, a pair of nubile handmaidens, and two vampire hunters who have been recruited into the ranks of the undead.
When a honeymooning couple visit the crumbling estate of the bride’s ancestors, they discover her closet is filled with more than skeletons: a sinister lesbian vampire, a pair of nubile handmaidens, and two vampire hunters who have been recruited into the ranks of the undead.